A performative investigation into the 1974 novella "The Lost Honour of Katharina Blum". How do language and its weaponizations operate, in Katharina Blum >
A body moves between soil and stage, repeating gestures of labor, survival, and performance. What connects the farmhand and the stripper? >
This unchartered tongue is a tongue within a tongue – a language no longer feels maternal.
Dieses Stück wehrt sich dagegen, Mensch zu werden, welche Formen es auch immer annehmen mag.
A ritual of drag, a de-orientalist and political witnessing of aestheticized violence in public life.
It’s a rite of grieving for the living creatures, an embodied poem of death and hope.
Dieses Stück wehrt sich dagegen, Mensch zu werden, welche Formen es auch immer annehmen mag.
An encounter between the Uferstudios and war-zones thousands kilometers away, inviting collective reflection on the fragile border between war and peace. >
